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The Death of Vivek Oji by Akwaeke Emezi

Literary fiction

The Death of Vivek Oji

by Akwaeke Emezi

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Quick take

A reflective, deeply human read, piecing together life in a Nigerian town leading up to a heartbreaking death.

Good to know

  • Illustrated icon, LGBTQ_themes

    LGBTQ+ themes

  • Illustrated icon, Sad

    Sad

  • Illustrated icon, Teen

    Teens

  • Illustrated icon, Critically_Acclaimed

    Critically acclaimed

Synopsis

One afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover her son’s body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings.

As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom.

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Get an early look from the first pages of The Death of Vivek Oji.

The Death of Vivek Oji

One

They burned down the market on the day Vivek Oji died.

Two

If this story was a stack of photographs—the old kind, rounded at the corners and kept in albums under the glass and lace doilies of center tables in parlors across the country—it would start with Vivek’s father, Chika. The first print would be of him riding a bus to the village to visit his mother; it would show him dangling an arm out of the window, feeling the air push against his face and the breeze entering his smile.

Chika was twenty and as tall as his mother, six feet of red skin and suntouched-clay hair, teeth like polished bones. The women on the bus looked openly at him, his white shirt billowing out from the back of his neck in a cloud, and they smiled and whispered among themselves because he was beautiful. He had looks that should have lived forever, features he passed down to Vivek—the teeth, the almond eyes, the smooth skin—features that died with Vivek.

The next photograph in the stack would be of Chika’s mother, Ahunna, sitting on her veranda when her son arrived, a bowl of udara beside her. Ahunna’s wrapper was tied around her waist, leaving her breasts bare, and her skin was redder than Chika’s, deeper and older, like a pot that had been bled over in its firing. She had fine wrinkles around her eyes, hair plaited into tight cornrows, and her left foot was bandaged and propped up on a stool.

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Why I love it

What happens to a person denied the space to be themselves? What does it look like to choose yourself? What is it to be, to exist, even against a multifaceted external denial? What can bloom when a person is enveloped in love? Akwaeke Emezi’s brilliant novel, The Death of Vivek Oji, asks these essential kinds of questions and more.

Early in the novel we are introduced to the tragedy that is its namesake. We are then taken on an incredible journey through and around the life of Vivek, who is a young person from southeastern Nigeria. Even as Vivek is mourned deeply, we discover many of those that are shattered by the loss refused to see and really accept Vivek in life. We see, as the novel unfolds, who Vivek was as a child and the journey that was a life ended too quickly. There is exploration of self and sexuality, there are friends that become family, there is so much.

Akwaeke is able to render a world that feels vital and true. There is lush tenderness even as the novel’s titular violence hovers over the reader like a specter. There is a great power in Emezi’s words, an energy that reminds us that the body is only a beginning and that life is hard to reduce or contain. This is a book full of line-level beauty; a book of multiple perspectives, each rendered organically and fully; a book of mystery and community and love. This is a book of power, a special read that will not soon be forgotten.

Member ratings (11,563)

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View all
Tell Me Everything
Somebody's Daughter
Win Me Something
Beautiful Country
Damnation Spring
Razorblade Tears
The Other Black Girl
Things We Lost to the Water
Libertie
The Final Revival of Opal & Nev
Infinite Country
The Push
The Prophets
Memorial
The Invisible Life of Addie LaRue
Transcendent Kingdom
The Death of Vivek Oji
Evicted
A Burning
The Sympathizer
Trick Mirror
Where the World Ends
The Goldfinch
The Kite Runner
Free Food for Millionaires
All the Light We Cannot See
Thick
Rules of Civility
Killers of the Flower Moon
A Gentleman in Moscow
Dead Wake
The Moor's Account